Works

 

In 1976, Leonard Bernstein and lyricist Alan Jay Lerner collaborated on the musical "1600 Pennsylvania Avenue", which ran for only seven performances on Broadway at the Mark Hellinger Theatre. The music has been reworked into an orchestral suite, a choral work, "A White House Cantata", and various…

A Quiet Place

A Quiet Place, an opera in three acts, continues the story of the family first presented in Trouble in Tahiti, acting as a sequel. A revision of A Quiet Place in 1984 incorporated Trouble in Tahiti into the second act as flashbacks.

Seven Anniversaries, Four Anniversaries, Five Anniversaries, Thirteen Anniversaries Each set of Anniversaries consists of individual movements, each written for a different person in Bernstein’s life.

Brass Music

Leonard Bernstein completed his suite of brass pieces on April 8, 1959. They were written for members of the New York Philharmonic and received their premier at Carnegie Hall. The pieces were commissioned by the Juilliard Musical Foundation. This set of pieces is rarely performed as a set and are …

Candide

The comic operetta, Candide, captures Voltaire's depiction of the cynicism of society expressed through the protangonist's education in optimism, banishment from his beloved Cunegonde, travels, trials, and disillusionment with humanity, before ending on a hopeful tone in "Make Our Garden Grow".

One of Bernstein’s last works, the Concerto for Orchestra was written for the 50th anniversary of the founding of the Israel Philharmonic Orchestra.

Dance Suite for Brass Quintet

Bernstein's final composition, each of the five movements is dedicated to a choreographer-friend of his.

Divertimento

Leonard Bernstein composed Divertimento for the Boston Symphony Orchestra's centenary, dedicating the piece, "With affection to the Boston Symphony Orchestra in celebration of its First Centenary." Having served as assistant to BSO conductor Serge Koussevitzky at the Berkshire Music Center, Bernst…

Overture to Candide

Candide (1956) is operetta in the vein of Offenbach and Gilbert and Sullivan, with all the wit, élan, and sophistication that is associated with that genre, and it is immediately apparent in the Overture—in sonata form, no less.

Serenade (after Plato's Symposium)

Scored for solo violin, harp, string orchestra, and percussion, Serenade remains one of Bernstein’s most lyrical orchestral works.

The Sonata for Clarinet and Piano was Bernstein’s first published composition. This work reflects the youthful enthusiasm of the time: walking basses, pervasive syncopations and melodic flourishes make this a fun and exciting work.

Touches

Composed for the Sixth Van Cliburn International Piano Competition at Fort Worth, Texas, Bernstein's piece for solo piano cycles through a chorale, eight variations, and a coda.