Works

 

In 1976, Leonard Bernstein and lyricist Alan Jay Lerner collaborated on the musical "1600 Pennsylvania Avenue", which ran for only seven performances on Broadway at the Mark Hellinger Theatre. The music has been reworked into an orchestral suite, a choral work, "A White House Cantata", and various…

A Quiet Place

A Quiet Place, an opera in three acts, continues the story of the family first presented in Trouble in Tahiti, acting as a sequel. A revision of A Quiet Place in 1984 incorporated Trouble in Tahiti into the second act as flashbacks.

Arias and Barcarolles

After Bernstein's performance at the White House in 1960, President Eisenhower remarked, "You know, I liked that last piece you played: it's got a theme. I like music with a theme, not all them arias and barcarolles."

Candide

The comic operetta, Candide, captures Voltaire's depiction of the cynicism of society expressed through the protangonist's education in optimism, banishment from his beloved Cunegonde, travels, trials, and disillusionment with humanity, before ending on a hopeful tone in "Make Our Garden Grow".

One of Bernstein’s last works, the Concerto for Orchestra was written for the 50th anniversary of the founding of the Israel Philharmonic Orchestra.

Dybbuk, a ballet by Leonard Bernstein and Jerome Robbins, is a fascinating exploration of Jewish mysticism, full of ghostly spirits and black magic. The score by Bernstein is among his most atonal and serialist compositions.

Facsimile

Facsimile, the second ballet by Leonard Bernstein and Jerome Robbins, was commissioned by the American Ballet Theatre, and the music was composed by Bernstein in the three weeks between the close of the 1946 season at Tanglewood and the opening of the New York City Symphony season. The ballet depi…

Hashkiveinu

Hashkiveinu is the result of a commissioning project from 1943 to 1976 by Cantor Dr. David Putterman for a series of contemporary music at Park Avenue Synagogue in New York City. The work uses the prayer text from the Jewish Sabbath evening service and is sung in Hebrew, and the transliterated sco…

I Hate Music!

I Hate Music!: A Cycle of Five Kid Songs is dedicated to Edys Merril, a friend of Bernstein's, as well as an artist and his flatmate in the 1940s. Apparently, when fed up with hearing Bernstein constantly coaching singers and playing piano, she often uttered the title phrase. The cycle was prem…

Four Recipes for Voice and Piano

MASS

The eclecticism of MASS's music reflects the multifaceted nature of Bernstein's career, with blues, rock, gospel, folk, Broadway and jazz idioms appearing side by side with 12-tone serialism, symphonic marches, solemn hymns, Middle Eastern dances, orchestral meditations, and lush chorales, all un…

Missa Brevis

Dedicated to longtime friend and colleague, Robert Shaw, Bernstein's Missa Brevis is the last full choral work that he composed, based on choruses from music previously written for the play "The Lark" in 1955.

My Twelve Tone Melody

Composed in honor of Irving Berlin's 100th Birthday, Bernstein mixes a twelve-tone row with a distorted version of two Berlin songs "My Russian Lullaby" - remembered nostalgically from LB's youth - and "Always".

On the Town

On the Town has been a classic since its original Broadway run in 1944, the show highlights the fleeting encounters and visceral energy of youth as three young sailors find love and excitement while on leave in New York City during one 24-hour period.

Writen on the occasion of Karl Boehm's eighty-fifth birthday: "with affection from his admiring colleague," and completed in Munich, 25 August 1979, Bernstein's birthday. The nonsense worlds imply Hassidic vocalizations.

While this early Bernstein composition gives no indication of his eventual compositional style, it does reveal the musical environment to which he was exposed as a youngster at his family’s congregation—specifically the music of Solomon Braslavsky.

Silhouette (Galilee)

Bernstein wrote this piece in honor of the forty-first birthday of his friend mezzo-soprano Jennie Tourel. The song incorporates an old Lebanese folksong, the Arabic words of which are paraphrased in the lyrics: “The boys in the dark olive groves assemble.” Bernstein can be heard singing this …

So Pretty

So Pretty is a 1968 anti-war song by Leonard Bernstein to lyrics by Betty Comden and Adolph Green, composed for a Broadway for Peace fundraiser at Lincoln Center's Philharmonic Hall to support the Congressional Peace Campaign Committee, which funded campaigns of congressional candidates opposing t…

In Songfest, Berstein encapsulated 300 years of his nation's history through the words of 13 American poets. The subject matter of their poetry is the American artist's experience as it relates to his or her crea­tivity, loves, marriages, or minority problems (blacks, women, homosexuals, expatria…

Symphony No. 1: Jeremiah

With his first symphony, Bernstein not only established himself as a major American symphonist, he began a musical and dramatic exploration of a theme that would continue to inspire many of his major works throughout his career. "The work I have been writing all my life," he said in 1977, "is abou…