Works

 

In 1976, Leonard Bernstein and lyricist Alan Jay Lerner collaborated on the musical "1600 Pennsylvania Avenue", which ran for only seven performances on Broadway at the Mark Hellinger Theatre. The music has been reworked into an orchestral suite, a choral work, "A White House Cantata", and various…

A Quiet Place

A Quiet Place, an opera in three acts, continues the story of the family first presented in Trouble in Tahiti, acting as a sequel. A revision of A Quiet Place in 1984 incorporated Trouble in Tahiti into the second act as flashbacks.

Arias and Barcarolles

After Bernstein's performance at the White House in 1960, President Eisenhower remarked, "You know, I liked that last piece you played: it's got a theme. I like music with a theme, not all them arias and barcarolles."

Candide

The comic operetta, Candide, captures Voltaire's depiction of the cynicism of society expressed through the protangonist's education in optimism, banishment from his beloved Cunegonde, travels, trials, and disillusionment with humanity, before ending on a hopeful tone in "Make Our Garden Grow".

One of Bernstein’s last works, the Concerto for Orchestra was written for the 50th anniversary of the founding of the Israel Philharmonic Orchestra.

Hashkiveinu

Hashkiveinu is the result of a commissioning project from 1943 to 1976 by Cantor Dr. David Putterman for a series of contemporary music at Park Avenue Synagogue in New York City. The work uses the prayer text from the Jewish Sabbath evening service and is sung in Hebrew, and the transliterated sco…

I Hate Music!

I Hate Music!: A Cycle of Five Kid Songs is dedicated to Edys Merril, a friend of Bernstein's, as well as an artist and his flatmate in the 1940s. Apparently, when fed up with hearing Bernstein constantly coaching singers and playing piano, she often uttered the title phrase.

Four Recipes for Voice and Piano à

Piccola Serenata

Writen on the occasion of Karl Boehm's eighty-fifth birthday: "with affection from his admiring colleague," and completed in Munich, 25 August 1979, Bernstein's birthday. The nonsense worlds imply Hassidic vocalizations.

So Pretty

So Pretty is a 1968 anti-war song by Leonard Bernstein to lyrics by Betty Comden and Adolph Green, composed for a Broadway for Peace fundraiser at Lincoln Center's Philharmonic Hall to support the Congressional Peace Campaign Committee, which funded campaigns of congressional candidates opposing t…

Symphony No. 1: Jeremiah

With his first symphony, Bernstein not only established himself as a major American symphonist, he began a musical and dramatic exploration of a theme that would continue to inspire many of his major works throughout his career. "The work I have been writing all my life," he said in 1977, "is abou…

Symphony No. 3: Kaddish

In his Kaddish Symphony, Leonard Bernstein exploits the dualistic overtones of the prayer: its popular connotation as a kind of requiem, and its celebration of like ( i.e. creation). He does this both in his speaker's text and in his music.

A Round for Mixed Chorus. This round, which is used in Bernstein's Mass, was written as a “Warm-Up” to the full composition of Mass.